Toutes peintures à l'huile d'Jean-Baptiste Greuze

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78346

''Portrait of Count Stroganov as a Child

1778 cjr

43246

A Girl

mk170 1765-1780 Oil on canvas 47x39.4cm

28331

A Girl with a Doll

mk60 1778 Oil on canvas 19 1/2"x16"

29271

A Visit to the Priest

mk65 1786 Oil on canvas 49 1/2x63"

29339

A Young Man in a Hat

mk65 1750s Oil on canvas 24x19 1/2"

28330

Count P.A Stroganov as a Child

mk60 1778 Oil on canvas 18 1/2"16"

29377

Countess E.P.Shuvalova

mk65 ca.1780 Oil on canvas 23 1/2x19 1/2"

26966

jean-baptiste greuze

mk52 c.1803 Oil on wood 52.5x45.5cm Musee des Beaux-Arts,Marseilles

33779

L'Accordee du Village

mk86 1761 Oil on canvas 90x118cm Paris,Musee National du Louvre

79742

L'enfant a la colombe

Oil on canvas 64,4 x 53,3 cm cjr

77593

Portrait de Claude Henri Watelet

between 1763(1763) and 1765(1765) Oil on canvas 115 ?? 188 cm (45.3 ?? 74 in) cjr

77446

Portrait de jeune fille au ruban bleu

18th century Oil on canvas cjr

78052

Portrait of a Boy

18th century Oil on canvas 34 x 45 cm (13.4 x 17.7 in) cjr

76620

Portrait of a Lady, Called Sophie Arnould

ca. 1773(1773) Oil on canvas 49.6 ?? 39.3 cm (19.5 ?? 15.5 in) cjr

75454

Portrait of a Lady, previously wrongly called Portrait of Sophie Arnould

Portrait of a Lady, previously wrongly called Portrait of Sophie Arnould ca. 1786(1786) Oil on canvas 61 X 50.4 cm (24 X 19.8 in) cjr

76735

Portrait of Jacques Gabriel French architect

Mid-18th century Oil on linen 65 ?? 54 cm (25.6 ?? 21.3 in) cjr

77871

Portrait of the Countess Schouwaloff

1770s cjr

68410

Portrat eines jungen Madchens

English: c. 1770-1780 Oil on canvas Deutsch: 50 ?? 38 cm

30623

The Broken jug

mk68 Oil on canvas Paris,Louvre c.1759 Italy

72537

The Inconsolable Widow

before 1763 Oil on canvas 40 32 cm cjr

33778

The Lamentation of Time Passing

mk86 c.1775 Oil on canvas 79x61cm Munich,Bayerische Staatsgemaldesamm-lungen,Alte Pinakothek

72013

The Spoiled Child

1765 Oil on canvas

30626

The Village Marriage Contract

mk68 Oil on canvas Paris,Louvre 1761 France

31813

The Wool winder

mk76 Painted probably in 1759 Oil on canvas 29 3/8x24 1/8in

37376

The wool Winder

mk125

78191

Therese de Savoie

1775(1775) Medium Oil on canvas Dimensions 86 x 68 cm (33.9 x 26.8 in) cyf

73470

Young Girl Weeping for her Dead Bird

Young Girl Weeping for her Dead Bird c. 1759 cjr

Jean-Baptiste Greuze

French Rococo Era Painter, 1725-1805 French painter and draughtsman. He was named an associate member of the Academie Royale de Peinture et de Sculpture, Paris, in 1755 on the strength of a group of paintings that included genre scenes, portraits and studies of expressive heads (tetes d'expression). These remained the essential subjects of his art for the next 50 years, except for a brief, concentrated and unsuccessful experiment with history painting in the late 1760s, which was to affect his later genre painting deeply. Though his art has often been compared with that of Jean-Simeon Chardin in particular and interpreted within the context of NEO-CLASSICISM in general, it stands so strikingly apart from the currents of its time that Greuze's accomplishments are best described, as they often were by the artist's contemporaries, as unique. He was greatly admired by connoisseurs, critics and the general public throughout most of his life. His pictures were in the collections of such noted connoisseurs as Ange-Laurent de La Live de Jully, Claude-Henri Watelet and Etienne-Franeois, Duc de Choiseul. For a long period he was in particular favour with the critic Denis Diderot, who wrote about him in the Salon reviews that he published in Melchior Grimm's privately circulated Correspondance litt?raire. His reputation declined towards the end of his life and through the early part of the 19th century, to be revived after 1850, when 18th-century painting returned to favour, by such critics as Theophile Thore, Arsene Houssaye and, most notably, Edmond and Jules de Goncourt in their book L'Art du dix-huitieme siecle. By the end of the century Greuze's work, especially his many variations on the Head of a Girl, fetched record prices, and his Broken Pitcher (Paris, Louvre) was one of the most popular paintings in the Louvre.

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